The secret life of a waitress: my nine nightmare diners – from flirts to complainers

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Charlotte Rampling, Cate Blanchett, and Vicky Krieps clash as mother and daughters. "Mother" follows "Father," transporting the film to Dublin, where a romance author (Rampling) is welcoming her two grown daughters for their annual afternoon tea. Where this matriarch is intimidatingly intellectual and chic, her daughters are a study in contrast. Timothea, or Tim for short (Blanchett), is a mousy pencil pusher who fusses and frets but always at a low volume, lest she be a bother. Little sister Lilith (Krieps) is a free spirit with pink hair, a comically casual attitude, and a penchant for lying about great successes to impress her mother.

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There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.

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